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ZIMURA Wins High Court Battle Over AGM Legitimacy

WHEN the Zimbabwe Music Rights Association (ZIMURA) gathered for its Annual General Meeting on October 22, the atmosphere was a blend of optimism and fatigue.

The gathering, held after months of pandemic‑induced delays, was meant to usher in a fresh board and reaffirm the association’s commitment to protecting creators’ royalties. Yet, within weeks, a legal challenge threatened to stall the transition and cast a shadow over the proceedings.

The dispute centered on two former officials—Phillip Chipfumbu and Munyaradzi Muchetu—whose terms had expired at the AGM. Claiming that the meeting lacked a quorum and that they had been unlawfully removed from membership, the pair filed an application for an “interlocutory interdict” to prevent the Registrar of Companies from recognising the newly elected directors. Their move set the stage for a courtroom drama that would ultimately affirm the legitimacy of ZIMURA’s new leadership.

In a Harare high court, ZIMURA’s legal team, guided by advisor Chiedza Shoniwa, mounted a vigorous defence. They argued that the AGM had been conducted in strict accordance with the association’s constitution and all relevant statutes, that Chifumba’s term had naturally concluded, and that the election reflected the will of the members. The court, after hearing the arguments, found the applicants’ case “fundamentally defective.”

Key points from the judgment underscored the court’s reasoning. First, the administrative acts the applicants sought to stop—notifying the Registrar of the new board—had already been completed, rendering a prohibitory interdict ineffective. Second, the applicants failed to demonstrate any pending “main matter” that would justify interim relief; without a substantive lawsuit, the court said it could not grant an order “in the interim of nothing.” Finally, the law firm said to be representing the applicants denied ever receiving instructions, leading the judge to expunge their answering affidavits from the record.

Speaking after the ruling, ZIMURA spokesperson Dereck Mpofu said, “The court’s decision confirms that the AGM was conducted in strict accordance with the law and that the newly elected board is the legitimate governing body of ZIMURA.”

His words resonated with members who had watched the case unfold with a mixture of anxiety and hope.

The background to the dispute is rooted in a broader struggle for transparency and accountability within the music rights sector. ZIMURA has long been the primary body responsible for collecting and distributing royalties to Zimbabwean artists. The recent AGM was seen as a pivotal moment to modernise its governance and improve the flow of funds to creators. The legal challenge, therefore, was not just a personal grievance but a test of the association’s ability to uphold its own rules.

In a message to its members, ZIMURA reiterated its commitment to transparency, the rule of law, and the protection of creators’ rights.

“We are pleased to move forward with our mandate, focusing on the collection and distribution of royalties for our members without further legal disruption,” the board declared.

The court ordered Chipfumbu and Muchetu to pay ZIMURA’s legal costs, effectively closing the chapter on the matter.

“With the legal hurdle removed, ZIMURA looks ahead, confident that its leadership is both lawful and accountable. We are is poised to continue our work on behalf of Zimbabwe’s music creators, armed with a renewed sense of legitimacy and a clear path forward,” added Mpofu.

“As the dust settles, the story of this courtroom victory serves as a reminder that, even in the face of fierce opposition, a well‑run organisation and a fair judicial system can prevail.”

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